{"id":281582,"date":"2025-11-14T09:27:24","date_gmt":"2025-11-14T08:27:24","guid":{"rendered":"https:\/\/sagliettigroup.it\/blake-and-his-era-exhibit-design-for-the-palace-of-venaria\/"},"modified":"2026-03-13T16:40:47","modified_gmt":"2026-03-13T15:40:47","slug":"blake-and-his-era-exhibit-design-for-the-palace-of-venaria","status":"publish","type":"post","link":"https:\/\/sagliettigroup.it\/en\/blake-and-his-era-exhibit-design-for-the-palace-of-venaria\/","title":{"rendered":"Blake and his era: exhibit design for the Palace of Venaria"},"content":{"rendered":"<div class=\"article-section\">\n<h1>Blake and his era: exhibit design for the Palace of Venaria<\/h1>\n<p>A <strong>scenic<\/strong> staging to <strong>interpret the mystical and visionary language of William Blake<\/strong>, with <strong>curved materials<\/strong>, <strong>suspended structures<\/strong> and <strong>immersive atmospheres<\/strong>.<\/p>\n<div class=\"spacer\"><\/div>\n<h2>Translating symbolic imagery into physical space<\/h2>\n<h3>Curves, lights and details for an exhibition route with a strong evocative impact<\/h3>\n<p>For <a href=\"https:\/\/sagliettigroup.it\/en\/\"><strong>Saglietti Group<\/strong><\/a>, l&#8217;<strong>exhibit design<\/strong> is a <strong>concrete and technical discipline<\/strong>: interpreting the <strong>vision<\/strong> of <strong>architects and curators<\/strong> to transform it into <strong>coherent<\/strong>, <strong>functional<\/strong> and <strong>scenic<\/strong> <strong>structures<\/strong>.<br \/>\nThe exhibition <strong><em>&#8220;Blake and His Age. Travels in Dream Time&#8221;<\/em><\/strong>, set up in the <strong>Halls of Arts<\/strong> of the  <strong>Reggia di Venaria<\/strong>, was an opportunity for us to <strong>explore a powerful and layered imagery<\/strong> where <strong>poetry<\/strong>, <strong>art<\/strong> and <strong>spirituality<\/strong> are intertwined.<\/p>\n<p><strong>Designed by Officina82<\/strong> with <strong>scientific advice from Alice Insley<\/strong><strong>(Tate UK<\/strong>), the installation required <strong>extensive work on all rooms<\/strong>, with focus on <strong>three main rooms<\/strong>: the<strong>entrance hall<\/strong>, the <strong>tunnel between Room B and Room L<\/strong>, and <strong>Room C<\/strong> designated for screenings.<\/p>\n<p>In all rooms, the <strong>color choices of the walls<\/strong> were <strong>coordinated with the curators<\/strong> to <strong>strengthen the visual identity of the exhibition.<\/strong> The selected shades dialogue with the works, evoking <strong>contrasts between light and shadow<\/strong>, <strong>matter and vision<\/strong>. <\/p>\n<p>For each <strong>thematic section<\/strong>, we installed <strong>shaped narrative panels made of<\/strong> <strong>19 mm<\/strong> <strong>MDF<\/strong> (chapters) and <strong>8 mm<\/strong> <strong>MDF<\/strong> (titles and texts), <strong>lacquered white<\/strong> and <strong>laser-cut<\/strong> for <strong>crisp<\/strong> and <strong>smooth<\/strong> <strong>reading<\/strong>.<\/p>\n<div class=\"spacer\"><\/div>\n<h2>A path between dream and matter: design solutions<\/h2>\n<p>The &#8216; <strong>entrance<\/strong> houses <strong>two suspended curved MDF elements<\/strong> covered with <strong>fire retardant HP wallpaper<\/strong>, inspired by the <strong>fluid forms<\/strong> in the painting <em><strong>Oberon, Titania and Puck with the Dancing Fairies<\/strong><\/em> (1786). The curves are made of <strong>poplar plywood<\/strong> and <strong>multiflex<\/strong>, <strong>light and flexible<\/strong> materials, suspended by means of <strong>steel cables<\/strong> and <strong>concealed structures<\/strong>, without ceiling or floor fixings, in compliance with the constraints of the Reggia. <\/p>\n<p>The <strong>vertical silhouettes<\/strong>, inspired by the <strong>visionary characters<\/strong> of William Blake and Henry Fuseli, are <strong>freestanding<\/strong>, mounted on <strong>wooden bases<\/strong> designed for <strong>stability<\/strong> and <strong>lightness<\/strong>. The titling of the exhibition, <strong><em>&#8220;Blake and His Age&#8221;<\/em><\/strong>, is composed of <strong>3-D letters hand-covered in white faux leather<\/strong>, a handcrafted detail that enriches the entrance. <\/p>\n<p>In the <strong>tunnel between Hall B and Hall L<\/strong>, <strong>fifteen fabric curtains in the shape of a Gothic arch<\/strong> create an immersive passage. <strong>Prints with petroleum blue gradients<\/strong> amplify the<strong>depth effect<\/strong> and introduce the <strong>backlit reproduction of <em>The Inscription Above the Door<\/em><\/strong>, made of <strong>fireproof sheets<\/strong> with <strong>LED backlighting<\/strong>. <\/p>\n<p>The <strong>Hall of Hell<\/strong>, set up in <strong>full red<\/strong>, intensifies the <strong>drama<\/strong> of the most powerful works.<br \/>\nIn <strong>Hall C<\/strong>, dedicated to <strong>projections<\/strong>, <strong>suspended veils<\/strong> and <strong>wooden beams<\/strong> frame the work <em><strong>Pitt&#8217;s Spiritual Form guides the Beemoth<\/strong><\/em> (c. 1805), building a <strong>multi-level immersive environment<\/strong>, emphasized by <strong>three-dimensional<\/strong> effects and light effects.<\/p>\n<p>The<strong>exit<\/strong> echoes the structure of the entrance through <strong>curved shaped panels<\/strong> and the figure of <strong>Hecate (Enitharmon)<\/strong>, which symbolically closes the exhibition journey.<\/p>\n<div class=\"spacer\"><\/div>\n<h2>Flanking the architectural vision, shaping the layout<\/h2>\n<p>Each element of the<strong>exhibit<\/strong> is the result of a <strong>precise architectural design<\/strong>. Our task is to <strong>make it possible<\/strong>: to translate the design into a <strong>concrete structure<\/strong> that is <strong>sustainable<\/strong> and <strong>true to the original vision<\/strong>. <\/p>\n<p>Curves, fire retardant materials, suspension systems, graphic and structural elements-each component was <strong>engineered<\/strong> to ensure <strong>execution quality<\/strong>, <strong>stability<\/strong>, and <strong>narrative coherence<\/strong>.<\/p>\n<p>The collaboration with the <strong>Officina82 studio-in<\/strong> the figures of <strong>Lara Sappa<\/strong> and <strong>Fabio Revetria-confirms<\/strong> a valuable <strong>design synergy<\/strong>.<br \/>\nSpecial thanks to <strong>Silvia Marassi<\/strong> for her design support and to <strong>Federico Verdi<\/strong>, <strong>technical manager of<\/strong> the installation, for his expertise and attention.<\/p>\n<div class=\"spacer\"><\/div>\n<h2>Contact us for an exhibit design project<\/h2>\n<p>From <strong>progettazione<\/strong> alla <strong>realization<\/strong>,<br \/>\n<a href=\"https:\/\/sagliettigroup.it\/en\/\"><strong>Saglietti Group<\/strong><\/a> is an <strong>operating partner for architectural firms<\/strong>, <strong>curators<\/strong> and <strong>cultural institutions<\/strong>.<br \/>\nWe bring <strong>technical expertise<\/strong>, <strong>craftsmanship<\/strong> and <strong>ingenious solutions<\/strong> to enhance every exhibition space.<\/p>\n<p><a href=\"https:\/\/sagliettigroup.it\/en\/contacts\/\"><strong>Contact us to turn a design idea into a concrete setup<\/strong><\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Blake and his era: exhibit design for the Palace of Venaria A scenic staging to interpret the mystical and visionary language of William Blake, with curved materials, suspended structures and immersive atmospheres. Translating symbolic imagery into physical space Curves, lights and details for an exhibition route with a strong evocative impact For Saglietti Group, l&#8217;exhibit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":281591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[61],"tags":[],"class_list":["post-281582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-museum-layouts-and-exhibition-spaces"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/posts\/281582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/comments?post=281582"}],"version-history":[{"count":1,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/posts\/281582\/revisions"}],"predecessor-version":[{"id":281903,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/posts\/281582\/revisions\/281903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/media\/281591"}],"wp:attachment":[{"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/media?parent=281582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/categories?post=281582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sagliettigroup.it\/en\/wp-json\/wp\/v2\/tags?post=281582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}