Hypogeum setup for La Tana delle Marmotte – Skyway Mont Blanc, Pavillon

Hypogeum setup for La Tana delle Marmotte – Skyway Mont Blanc, Pavillon

At an altitude of 2173 meters, in the middle station of the PavillonSkyway Mont Blanc – takes shape The Groundhogs’ Den: a hypogean play and educational project designed to educate and engage children and families within animmersive sensory experience.
Saglietti Group oversaw the technical implementation of the structure, working under extreme environmental conditions, with dedicated logistics and timelines constrained by the arrival of snow.

An underground setting between narrative, technique and altitude

Building underground, at 2173 meters

The project stems from a call for proposals promoted by Funivie Monte Bianco S.p.A., with the design signed by Officina82. The objective:
Create an educational and sensory space capable of telling the story of the life of the alpine marmot, through sounds, educational panels,
child-friendly paths and ascenic exit via a transparent dome emerging from the ground.

Implementation required non-standard operational management:

  • Materials and people transported to altitude by helicopter and cable car
  • On-site assembly by Saglietti Group technical team at a permanent construction site for one month, between October and November 2024
  • Daily management of adverse weather conditions: fog, wind, rain, mud, and cold temperatures

Each activity was planned according to the cable car schedule and the imminent arrival of snow.
The construction site was completed on schedule, allowing the project to open before the seasonal closure.

Technology, wood and steel for an immersive experience

Parametric design and playful certification

The heart of the project is an 8-meter-long corten steel underground pipe, cut into sections and assembled directly at height.
The external structure, self-healing and perfectly integrated into the alpine landscape, was welded in situ by Nuova Sicmi Srl,
then buried by taking advantage of the natural slope of the land (about 27°).

A second glulam structure, designed in 3D to reduce time and margin of error, was inserted inside. Its features:

  • 14 modular layers for more than 300 machined parts
  • Three-ply (4 cm) spruce cladding, treated with fire retardant paint
  • Two entrances: one for adults (ø 2.20 m), one for children (ø 1.30 m)
  • Transparent plexiglass dome (2 x 1.10 m)
  • Forced ventilation, flexible LED lighting, audio speakers, educational panels
  • Contoured interior steps to accompany the pathway

Particular attention was paid to safety and play regulations:

  • Risk assessment
  • Foam and faux leather covers for impact surfaces
  • Certified materials
  • Spaces that conform to inclusive play

A technical project with an educational soul

Inside the Burrow, visitors are accompanied by the narrative voice of Otta, a marmot guide who narrates habits, habitat, hibernation and feeding.
Curved transparent vitrines accommodate life-size reproductions of the animal, integrating into the hypogeal setting.

The project targets a cross-sectional audience, keeping thechild’s experience at the center but with a narrative and constructive framework that can be read by adults as well.

The intervention was possible thanks to the synergy between several parties:

  • Officina82Lara Sappa and Fabio Revetria – for design and art direction
  • Funivie Monte Bianco Spa, promoter and developer of the work
  • The Saglietti Group operations team, present at high altitude for the duration of the site: Alessio Giacone, Daria Bergese, Ciko, Sofian and Daniele

 

Do you have an elevation or depth project? Let’s talk about it.

Whether it is a hypogeal educational space or an immersive exhibit in extreme conditions,
Saglietti Group is the ideal technical partner to create tailor-made, sustainable and functional installations that respect both the context and the visitor experience.

Contact us to share your design vision.

Exhibit design for STEM Racing Italy – Pit display for Photon Racing, Maranello

Exhibit design for STEM Racing Italy – Pit display for Photon Racing, Maranello

On the occasion of the national final of STEM Racing Italy 2025,
Saglietti Group
oversaw the design and implementation of the pit display for the team
Photon Racing, set up inside the logistics headquarters of the
Scuderia Ferrari in Maranello. An atypical but extremely
challenging, in which lightweight solutions, tight technical constraints, and
short timeframe highlighted the group’s ability to
Adapting one’s approach to unconventional contexts.

A technical pit display, adjusted to the millimeter

Shaping team narratives within constrained spaces

The contribution of Saglietti Group to the project involved the creation of a
Display station consistent with the brand identity of the Photon Racing team, consisting of:

  • Immersive, personalized graphics
  • Custom-made carter for monitor
  • An integrated LED lighting system
  • A lightweight, modular and easily self-assembled structure

The entire booth was developed respecting
extremely strict dimensional and functional parameters:
weight, footprint and material limits provided by the
F1 in Schools international regulations. An additional constraint was that the booth had to be
entirely assembled by the student team, with no outside support.

To facilitate this step, Federico Verdi,
Exhibit Sales Manager of Saglietti Group, directly supported the team in the
assembly training, taking action in advance at the event site. A gesture that testifies to a fundamental principle of the group:
Anticipate critical issues and ensure autonomy for the principal, including in educational settings.

Virtuous collaborations for off-track challenges

The participation of Saglietti Group to the competition took place as the
technical sponsor, in collaboration with Famar Group, a company active for more than 50 years in the design of precision machine tools. Partner and main sponsor of the Photon Racing team,
Famar chose to invest in the educational project by supporting a group of students from a scientific high school – the only non-technical entity among the participating institutions.

For Saglietti Group, contributing to the realization of this project has meant.
Transfer professional skills and methods in an educational setting, providing know-how, tools and vision.

Technique, simplicity, performance

The project was an effective synthesis of:

  • Aesthetic and communication needs of the team
  • Technical feasibility in autonomy
  • Extremely short lead times

Saglietti Group ‘s ability to work under constraint,
simplifying complexity and
returning a high-performing product, enhanced the students’ experience and confirmed the soundness of the operating method even in non-ordinary contexts.

Do you have an idea to build? Let’s talk about it

Even when working with extreme constraints, tight schedules or unusual scenarios,
Saglietti Group
remains a reliable and precise partner, able to interpret the design vision and transform it into a concrete and functional space.

Contact us to tell us about your project.

Exhibit design for Earthrise 2025 – Circolo del Design, Turin

Exhibit design for Earthrise 2025 – Circolo del Design, Turin

In the context of the exhibition Earthrise 2025,
Saglietti Group
oversaw the technical realization of the exhibition set-up, developing a
modular project, sustainable and consistent with the central theme: democracy.
An articulated intervention, built in synergy with curator Vera Sacchetti
and the team of the Circle of Design, which involved
pre-existing elements, tailored solutions
and immersive spaces with high technical complexity.

Exhibit design between planning, reuse, and curatorial vision

From concept to matter: a technical and narrative translation

On the occasion of the third edition of Earthrise, the work of
Saglietti Group has focused on the
physical and functional translation of the curatorial vision.
Each element was designed and built to respond to a
twofold need: to promote readability of the content displayed
and to maintain narrative continuity with previous editions.

The project consisted of six thematic cores, each devoted to an aspect of the
contemporary democracy.
For each work, customized technical supports were developed –
modular, demountable and reusable – capable of integrating with the spatial characteristics of the
Circle of Design.

Among the installations managed for the 2025 edition:

  • Fragments of Democracy II (Studio Folder with Matteo Bettini):
    a survey of press freedom in Italy, including data, maps and complex documents.
    The design translates the density of information into a clear and engaging visual experience,
    stimulating critical thinking about contemporary democratic fragilities.
  • XML Architecture Research Urbanism:
    a visual atlas of the 193 UN parliaments classified into five recurring typologies.
    Each configuration reveals a different way of understanding political confrontation
    and representing democracy.
  • Infinite Passports, inspired by the work of Giuditta Vendrame and Fiona du MesnilDot:
    a collage of imaginary passports composed of real fragments,
    suggesting a future without barriers to citizenship and freedom of movement.
  • Propaganda Theater by Jonas Staal:
    an intense audiovisual experience spanning populist messages, political propaganda,
    contemporary conflicts and manipulated narratives.
  • Filandón – Public Infrastructure for Transmedia Gatherings by Space Popular:
    an exploration of the future of participatory spaces between physical and digital,
    avatars, virtual meetings and shared environments.
  • Wishing You Well by Andrea Anner and Thibault Brevet (AATB):
    a robot tossing a coin into a fountain, ad infinitum.
    A poetic gesture linking desire, technology and trust.

Design reuse and aesthetic continuity

One of the distinctive features of the intervention concerns the
reuse and reinterpretation of construction elements already used in previous editions.

The MDF seats with pink tops, now present in the second room, come from the 2024 exhibit.
The Valchromat display cases, dedicated to the Infinite Passports series,
were repurposed from elements designed for Earthrise 2023.
Due to their robustness and versatility, it was possible to reintegrate them into the new concept
without altering their formal identity.

This approach made it possible to:

  • Reduce the environmental impact of the project
  • Optimize production time and cost
  • Maintain aesthetic continuity between different editions

The graphic part was developed by working on the choice of materials.
The use of Blueback paper, typical of billboard advertising,
introduced a visual language that was essential, direct and consistent with the theme.

Immersive room: technical design of multimedia spaces

Within the immersive room, the
functional and conceptual needs met in a high-tech environment.
Two installations – Wishing You Well and Filandón – required the design of
Self-supporting curved structures integrated with projection systems,
LED and continuous flooring.

Seabed effect linoleum extends
seamlessly from horizontal to vertical surfaces,
thanks to a hidden fastening system.
The chandeliers, made to design, deliberately take up the shape of the
Ring light used in the social world.

Do you have an exhibition project to implement? Contact us.

From temporary exhibitions to immersive spaces, from museum displays to multimedia installations,
Saglietti Group
is the ideal operating partner to turn a curatorial vision into a concrete experience.

Contact us for a customized consultation:
from engineering to manufacturing to on-site assembly.

Interior design for the Albeisa Consortium.

Interior design for the Albeisa Consortium.

Wine as identity, space as narrative

In the heart of the Langhe, the new space of the Albeisa Consortium in Alba is the result of an exhibition project designed to tell the story of wine culture through consistent forms, materials and atmospheres.
Saglietti Group oversaw theentire technical and construction realization of the installation, interpreting the client’s vision with rigor and sensitivity and restoring functional and aesthetic coherence to it.

A two-phase intervention: between reception, tasting and training

The intervention consisted of. two distinct phases: the ground floor – completed in July 2023 – dedicated to the exhibition and reception function; the basement – completed in December – designed as a technical and training space.

Over 230 square meters completely renovated, transformed into the Consortium‘s new operational and institutional headquarters.

The project, developed by Silvia Marassi(Saglietti Group), was managed through constant dialogue with the Albeisa team. Each element of the layout was the result of a confrontation between operational needs, structural constraints and narrative vision.

Ground floor: a visual and functional narrative

The ground floor area is organized around two main cores: the storage cellar and the tasting area.

The wine cellar is made of thin shelves made of bent metal, precisely inserted within a supporting structure of milled lacquered wood. The construction elements ensure solidity and visual transparency, while the dimmable LED strip lighting system ensures optimal conditions for bottle storage, as well as creating ararefied and professional atmosphere.

The tasting area is developed around the central pillar and integrates tables, seating and counter in a compact and modular layout. The design solved critical dimensional and plant engineering issues with custom-made technical elements, such as shielding furniture with metal grids and display shelves with exposed welds.

Two narrative window decals complete the set-up: one ideally guides you to the winery with a play on transparency (“the door in the bottle”), the other – inspired by the Consortium‘s logo – filters the view of the offices while maintaining visual coherence.

Selected materials

  • Matt Fenix laminate: anti-fingerprint, soft to the touch, ideal for high frequency use surfaces.
  • Dove-colored lacquer: warm, understated tone, integrated with the architectural palette of the place.
  • Transparent painted metal: structural lightness and aesthetic continuity.
  • Antique regenerated spruce (20 mm lamellar): materiality, memory, sustainability.

An iconic detail completes the tasting wall: the Albeisa logo, made from shaped bottles installed in relief, laser-cut and mounted on a curved wall using a dedicated template.

Basement: technical tasting and training spaces

The basement is designed as a technical and operational environment for training events and professional tastings. The layout integrates:

  • 12 white bilaminatetasting tables to optimize the visual reading of the wine
  • Multi-function cabinet: shelves, three wine cellars, sliding door for technical access to the wolf’s mouth
  • Curved back wall equipped with continuous shelves and minimal supports
  • Custom bathroom cabinet, consistent with the aesthetic language of the intervention

Exhibit design as a language of identity

This project represents for Saglietti Group an example of exhibit design applied to collective identity: wine, territory, and the production history of more than 340 companies converge in a space that welcomes, tells and inspires.

A functional and narrative set-up designed to dialogue with those who make, tell and experience wine.

Saglietti Group works alongside design studios, cultural institutions, and private companies in the technical realization of custom exhibition displays. Each project is a story to be built together, with attention to materials, context and function.
Contact us for an operational consultation. We translate your visions into matter (edited)

Blake and his era: exhibit design for the Palace of Venaria

Blake and his era: exhibit design for the Palace of Venaria

Blake and his era: exhibit design for the Palace of Venaria

A scenic staging to interpret the mystical and visionary language of William Blake, with curved materials, suspended structures and immersive atmospheres.

Translating symbolic imagery into physical space

Curves, lights and details for an exhibition route with a strong evocative impact

For Saglietti Group, l’exhibit design is a concrete and technical discipline: interpreting the vision of architects and curators to transform it into coherent, functional and scenic structures.
The exhibition “Blake and His Age. Travels in Dream Time”, set up in the Halls of Arts of the Reggia di Venaria, was an opportunity for us to explore a powerful and layered imagery where poetry, art and spirituality are intertwined.

Designed by Officina82 with scientific advice from Alice Insley(Tate UK), the installation required extensive work on all rooms, with focus on three main rooms: theentrance hall, the tunnel between Room B and Room L, and Room C designated for screenings.

In all rooms, the color choices of the walls were coordinated with the curators to strengthen the visual identity of the exhibition. The selected shades dialogue with the works, evoking contrasts between light and shadow, matter and vision.

For each thematic section, we installed shaped narrative panels made of 19 mm MDF (chapters) and 8 mm MDF (titles and texts), lacquered white and laser-cut for crisp and smooth reading.

A path between dream and matter: design solutions

The ‘ entrance houses two suspended curved MDF elements covered with fire retardant HP wallpaper, inspired by the fluid forms in the painting Oberon, Titania and Puck with the Dancing Fairies (1786). The curves are made of poplar plywood and multiflex, light and flexible materials, suspended by means of steel cables and concealed structures, without ceiling or floor fixings, in compliance with the constraints of the Reggia.

The vertical silhouettes, inspired by the visionary characters of William Blake and Henry Fuseli, are freestanding, mounted on wooden bases designed for stability and lightness. The titling of the exhibition, “Blake and His Age”, is composed of 3-D letters hand-covered in white faux leather, a handcrafted detail that enriches the entrance.

In the tunnel between Hall B and Hall L, fifteen fabric curtains in the shape of a Gothic arch create an immersive passage. Prints with petroleum blue gradients amplify thedepth effect and introduce the backlit reproduction of The Inscription Above the Door, made of fireproof sheets with LED backlighting.

The Hall of Hell, set up in full red, intensifies the drama of the most powerful works.
In Hall C, dedicated to projections, suspended veils and wooden beams frame the work Pitt’s Spiritual Form guides the Beemoth (c. 1805), building a multi-level immersive environment, emphasized by three-dimensional effects and light effects.

Theexit echoes the structure of the entrance through curved shaped panels and the figure of Hecate (Enitharmon), which symbolically closes the exhibition journey.

Flanking the architectural vision, shaping the layout

Each element of theexhibit is the result of a precise architectural design. Our task is to make it possible: to translate the design into a concrete structure that is sustainable and true to the original vision.

Curves, fire retardant materials, suspension systems, graphic and structural elements-each component was engineered to ensure execution quality, stability, and narrative coherence.

The collaboration with the Officina82 studio-in the figures of Lara Sappa and Fabio Revetria-confirms a valuable design synergy.
Special thanks to Silvia Marassi for her design support and to Federico Verdi, technical manager of the installation, for his expertise and attention.

Contact us for an exhibit design project

From progettazione alla realization,
Saglietti Group is an operating partner for architectural firms, curators and cultural institutions.
We bring technical expertise, craftsmanship and ingenious solutions to enhance every exhibition space.

Contact us to turn a design idea into a concrete setup.